Spectrasonics Omnisphere 2.4 Free Download for Windows either based on 32 bit or 64 bit. Setup file is completely standalone and also its an offline installer. Review of Spectrasonics Omnisphere 2.4. Among different audio handling resources. Omnisphere 2.5.0d includes a stunning new “Hardware Library” with over 1,600 new patches created by Eric Persing and the renowned Spectrasonics Sound Development team. Each hardware profile has a corresponding set of sounds in the Hardware Library which were specially designed using that hardware synth as an Omnisphere controller.

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After many years of development, Spectrasonics is proud to release the brand new flagship virtual instrument Omnisphere. This epic ‘Power Synth’ breaks completely new sonic ground by combining a wide variety of hybrid realtime synthesis techniques, an epic library of remarkable ‘Psychoacoustic’ sounds, and many innovative features that have never been seen before in any hardware or software synthesizer. The new instrument is the first to be based on Spectrasonics newly developed STEAM Engine.

Although this new synth is extremely powerful, Omnisphere is designed with a unique user interface containing progressive layers of ‘zooming’ to accommodate the complete range of users – from musicians who just want to be inspired by the sounds and customize them in an easy way, to expert synthesists and the most advanced sound designers. Users can go deeper and deeper into the software and progress in their synthesis knowledge by simply exploring additional levels of sound manipulation options. To make sure that all users get the most out of the new capabilities, Omnisphere includes an extensive set of video tutorials and synthesis lessons taught by the renown Spectrasonics sound design team.

The culmination of many years of development, Omnisphere is an instrument of extraordinary power and versatility. Omnisphere brings many different types of synthesis together into one amazing-sounding instrument that will inspire a lifetime of exploration.

Omnisphere is cross-platform compatible with Apple Macintosh OS X 10.4 and higher as a native Universal Binary and also with Microsoft Windows XP/Vista/7 Audio Units, VST, and RTAS plug-in formats are supported for compatibility with all major host software.

SYSTEM FEATURES:

• Powerfully simple interface design makes key features accessible to every user
• Advanced users can “zoom” into deeper and deeper synthesis capabilities
• Sophisticated Browser with searching, sound attributes, descriptions and images
• 8 independent Arpeggiators
• World’s first Arpeggiator with Groove Lock™ – which allows the Arpeggiators to match the feel of Stylus RMX and MIDI Files.
• Special performance-oriented Live Mode interface allows for seamless, interactive creative patch switching and layering on the fly
• Stack Mode interface allows for complex patch layering, splits, and crossfades (velocity/positional/controller)
• 8-part multitimbral with built-in Mixer, Aux FX and Mastering FX racks
• Advanced MIDI Learn and Automation parameter handling
• Comprehensive integrated Reference Guide
• Hours of free Tutorial Videos available online to registered users

SYNTHESIS FEATURES:

• Oscillators can be sample-based or synth-based
• Up to 10 oscillators per patch with new Harmonia™ feature
• Flex-Mod™ modulation system allows powerful modular-style routing
• Dual Layer architecture
• High-definition streaming engine
• Variable DSP Oscillator Waveshapes
• Sophisticated Unison Detuning
• Variable Analog Feel
• Modulatable Hard Sync
• Granular Synthesis
• Innovative Chaos Envelopes
• Polyphonic Timbre Shifting
• Polyphonic Timbre Crushing
• Polyphonic Waveshaper
• Polyphonic Ring Modulation
• Polyphonic Glide
• FM Oscillators
• Dual Filter architecture per Layer
• Create filter combinations in series or parallel
• Arrange and blend more than 17 Filter algorithms
• Fully modulatable FX racks
• Alternate tuning scales supported
• 6 full-featured LFOs per patch
• 8 Advanced Multi-breakpoint looping Envelopes per patch
• Unique Dual Envelope interface – Simple ADSR-style or Advanced Graphic-style
• Sampled soundsources can be processed with synthesis features!

SOUND LIBRARY:

• Vast Core Library – over 40GB with thousands of sounds
• Cutting-edge sounds from the renowned Spectrasonics sound design team
• Innovative “Psychoacoustic” soundsources for organic synthesis!
• Unique multisampled “Composite Morphing™ soundsources
• Integrates the award-winning, original Atmosphere® core library
• Integrates best of Spectrasonics highly-acclaimed sample libraries
• Massive variety of inspiring sounds for all types of music production
• Searchable by sound attributes (Timbre, Genre, Mood, Tonality, Source, etc)
• Expandable sound architecture

EFFECTS FEATURES:

• Integrated, full-featured FX Racks
• Up to 12 simultaneous FX per patch
• Layer FX modulatable from any mod source
• Hundreds of FX presets included
• Over 32 original FX Processors covering the full spectrum of signal processing

When the first version of Omnisphere came out in 2008 as Spectrasonics’ flagship software synthesizer, it was well received by the audio community, winning many awards for its sound quality, versatility and power. At that moment Spectrasonics clearly made the transition from releasing sample libraries to designing and releasing instruments. Stylus and Trilian were the other releases that defined this new era for the company.

Omnisphere quickly became an industry standard software synth and its sound could be heard in everything from pop music to film scores. Flash forward to 2015 and it’s a wildly different market now with hundreds of sample-based software synths on the market. I sought to find out if Omnisphere 2 has what it takes to stay on top. Does Spectrasonics keep up with the times and present something new and fresh with this update? I was looking forward to finding out.

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Let’s take a look at the new features of this update and review some of the aspects of Omnisphere 2 that set it apart from the competition. There is way more to cover then I was able to in this review, but I will hit some important key points.

Updated Browser

Figure 1—Expanded Browser In Omnisphere 2

Some of the most innovative new features appear in the Browser section. I appreciate the small description of each patch, often including the patches layered or samples used to create it, in addition to any effects or modulation information. This is not a new feature but new users will undoubtly appreciate it. Few software synthesizers provide such useful tips right in the main interface. Omnisphere’s browser does exactly what a Browser should do: allow for quick selection of sounds with the ability to preview them and receive important information about them all in one place.

Figure 2—Patch Description in Browser

The new trademarked features like Sound Match and Sound Lock give users the ability to quickly navigate like sounds and save settings on the go. You can now import custom audio tracks into Omnisphere for truly unique and extensive processing, a feature composers and sound designers have been asking about for quite some time.

Sound Match

Figure 3—Sound Match in the Browser Section

Say you find a patch you like, but would like other choices in the library that are similar to compare it to. This is what Sound Match is all about. Choose a patch, engage the Sound Match button and it will search for similar sounds to audition in the right side browser. I wish all software synth developers incorporated this feature in their patch browsers. I have run into the issue of finding like sounds many times in other instruments, so I find this feature so refreshing. If you tend to create your own patches or import your own audio to make a patch, it’s a good idea to spend time tagging it with keywords so it can work for you within Sound Match.

Sound Lock

Figure 4—Sound Lock Drop-Down Menu

Sound Lock allows you to lock various parameters while designing or browsing for sounds. All parameters can be locked while you switch out a sound patch or individual parameters. So, if you spend time designing an Arp pattern and want to audition different patches with that pattern, select Arpeggiator under the Sound Lock menu in the top right corner of the instrument. It’s pretty clear how this can come in handy for sound designers.

Importing Audio

Figure 5—Imported Audio Sample in Part A

The import audio feature is not readily available in the Browser section upon first look. You have to choose ‘User Audio’ in the Utility menu to reveal the ‘drag and drop’ window, or choose the small folder icon in the Sample window in section A or B. New Omnisphere users should be aware of the utility menu in general as it includes saving, loading and clearing custom multis, patches and layers among other important prompts.

Figure 6—Utility Menu in Omnisphere

I was impressed by the granular synthesis technique Eric Persing demonstrated in the Omnisphere 2 promotional video so I wanted to try the same technique with a short sample of a Handpan performance by my friend Stevan Morris. In the promotional video, Eric imported a sample of a full jazz track and immediately morphed it into a textural soundscape with the granular controls. Results with the Handpan sample were similiar. The source audio quickly became unrecognizable from the original, but that’s part of the fun! I changed the position of the sampled piece of audio to modify the tone and texture of the granular output. Within this one feature, there were so many wonderful possibilities I could use as is or further process with the FX section.

Figure 7—Granular Synthesis in Omnisphere

I also opted to run my custom Handpan sample through an effect in the FX section called Innerspace. I was hooked on that effect at first listen. Within Innerspace alone, there are incredible settings to explore. Also, simply reversing the sample in the A section and moving the start slider to different position yielded some usable results. In the demo below, you’ll hear part of the original Handpan performance layered with these new textures.

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New Sounds and Samples

Figure 8 – Bowed Ceramic Kalimba

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Over 5000 Soundsources and patches were added to the already extensive library totalling more than 12,000 sounds! The degree of custom morphing of the Soundsources and patches available in Omnisphere guarantees that producers and sound designers will create infinite, unique variations. Some of the new Soundsources sampled include Diego Stocco’s custom built instruments played in every conceivable fashion, circuit bending samples, cave stalactites, a ‘Spotlight EDM’ with modern sounds for dance producers and much more. The Spectrasonics team went out of their way to bring the most unique sources to users to keep sound design fresh and interesting.

Figure 9—Recording Stalactites in a Cave

New FX units and Multi Racks

Perhaps one of the most substantial upgrades to Omnisphere is additional FX racks, patches and multi racks. There are 25 new FX units including analog modeled effects, filters, cabinets, compressors, EQs and resonators. Users can build their own custom racks or use one of the dozen preset racks as a starting point. I’ve already mentioned Innerspace as one of my new favorite effects. The different compressors are handy and sound great, especially when designing a patch that needs a boost or when taming a loud, distorted patch with a quick limiter inside the instrument.

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Figure 10—New ‘Innerspace’ Creative Effect

Many Ways to Mix and Mangle

Once you’ve chosen a sample or a waveform to start with in Part A or B of the interface, it’s time to design and mangle to your heart's content. There are over 400 new DSP Waveforms available so you won’t get bored. Mix two sample patches, two synths or mix and match using the A and B sections. Route your oscillators to an LFO, filter, envelope or controller via the right-click menu on any parameter in that section. Create polyrhythmic movement with your synth patch in seconds via multiple LFOs. Use up to 8 different Arpeggiators in a patch. Move the sound around in space using the Orb interface and record an instance to use on every note you play and hold. If you intend to use Omnisphere in a live setting, Live Mode allows for seamless patch layering on the fly and Stack Mode allows you to do keyboard splits and complex patch layering. I can go on but you get the idea. Omnisphere 2 is special because it brings together many types of synthesis under one clean and easy to use interface. There is something for every type of audio producer here.

Figure 11—Arpeggiator in Omnisphere

Wrap Up

So, has Omnisphere 2 lived up to its previous reputation as the king of software synths? I say without a doubt. Omnisphere 2 is a tool that will live on and provide endless sounds and inspiration for musicians, producers and sound designers for the foreseeable future.

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